视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。林森是4S店销售员，个性温吞所以业绩平平，毫无存在感。父亲早亡，和母亲相依为命，从小家教甚严。就这样日复一日的过着机械且无趣的生活。直到有一天，林森因为损友哨子的怂恿在一家餐厅里阴差阳错的“偷”走了心仪女孩儿小茵的包，由此开启了一段离奇的经历……。法国东部的南锡。夏季。为了逃避麻烦的家庭环境，15岁的索菲抓住机会拿到了她富有朋友杰德家的备用钥匙。索菲以为房子在夏天是空的，便在宽敞的家中享受起来，然而她却碰上了朋友的哥哥斯蒂芬，命运使然，他也计划留在那里。然而，斯蒂芬并没有赶她走，而是选择敞开大门，迎接一个索菲从未预料到的夏天。。
