视频简介
距上一次的冒险已经过去11个年头，转眼间安迪变成了17岁的阳光男孩。这年夏天，安迪即将开始大学生活，他必须将自己的房间收拾整齐留给妹妹。此前，胡迪与巴斯光年等玩具一直期待安迪再和他们玩耍，但是随着岁月的流逝，他们被冷落在箱子里很久了。安迪十分珍惜这些童年的玩伴，于是准备将他们收在阁楼。谁曾想，妈妈却把玩具们当作废物扔到街道上。玩具们误解了安迪，于是愤然出走，宁可被捐赠到阳光之家幼儿园。 伍迪尽力劝解大家，却收效甚微，只得独自黯然离开。巴斯光年他们原本以为将重新回到往昔的快乐时光，不料却陷入一场阴谋之中……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。电影《工会主席》，是以英格索兰（桂林）工具有限公司工会主席王远文为原型创作的一部影片。王远文，一位基层企业普通的工会主席，每天踩着一架自行车上、下班，但是，就是他，在职工的利益受到侵害时，拍案而起，代表工人走上法庭，与外资代表对薄公堂，终于胜诉，维护了职工们的合法权益！职工们把王远文亲切地称为我们的“好大哥”。2011年王远文赴京受到全国政协副主席、中华全国总工会王兆国主席的亲切接见，并被授予全国“五一”劳动荣誉奖章，中华全国总工会组织，“王远文先进亊迹报告团”到全国各省、市巡讲，至此，王远文的先进亊迹才被人们熟知。。
